演讲稿的结尾应该给听众留下深刻的印象，激发他们的行动愿望，优秀的演讲稿，我们可以增加在演讲中的亮点，下面是美篇六六网小编为您分享的电影的演讲稿7篇，感谢您的参阅。
电影的演讲稿篇1
亲爱的老师、同学们：
大家好！
最近，手机被《你好，李焕英》这部电影刷屏，无论是网络新闻，抖音视频，还是各种公众号推送的文章，无不存在这部电影的身影，口碑还不错。
这部电影的主演和导演都是贾玲，平时我也很喜欢贾玲，贾玲的小品和相声都很有意思，她演的电影我还是第一次看。
这部电影汇集了很多喜剧演员，像张小斐、沈腾、陈赫、冯巩等等，不是偶像剧，没有那么多养眼的面孔，张小斐就算这部电影里的颜值担当啦，不过人物不重要，好看的故事是重点。
贾晓玲，一个胖胖的可爱女孩，从小被妈妈宠爱，虽然各种不争气，多大了，还拉裤子里；上学时成绩稳稳的差；考大学吧，弄了个山寨的通知书打算给妈妈长长脸，后来被妈妈发现。但是妈妈对于女儿的无限爱意在贾晓玲的各种状况里彰显无遗，怜爱地刷洗着女儿的脏裤子，安慰孩子，她还小呢；成绩总是很差，妈妈却一直在鼓励她；弄了个山寨通知书，为女儿的错误开脱，理解女儿是想让自己开心。
这么一个只在乎孩子是否开心的妈妈突然遭遇车祸，贾晓玲伤心欲绝，蓦然发现，妈妈这一辈子，自己没做过一件让她开心的事。
一个偶然，贾晓玲穿越到了1981年，也就是她出生前一年。遇到了自己的妈妈，还是一个美丽的少女。于是她使劲浑身解数想帮助妈妈，要努力做些让她开心的事。她帮妈妈买电视机，帮妈妈组织排球队打比赛，帮助妈妈追求幸福。贾晓玲以为妈妈这一辈子跟着爸爸不是最幸福的，她想如果妈妈可以重新选择，一定可以更幸福，于是她帮助喜欢妈妈的厂长的儿子追求妈妈，希望借助自己的力量，改变妈妈的.人生路，让李焕英重新选择更好的幸福。她以为这么做，妈妈会高兴。但是妈妈依然选择了没有厂长儿子条件那么好的爸爸贾文田结婚。妈妈和爸爸在一起感觉是幸福的。
穿越到1981年的贾晓玲用自己的方式爱着妈妈，努力做些让妈妈李焕英开心的事，而此时的李焕英，我想李焕英和贾晓玲同时完成的穿越，她也知道贾晓玲就是自己的女儿，但一直装不知道，默默配合着女儿的小心愿，直到影片最后，母女俩才相认，后又回到20xx年，妈妈在医院里……
整个电影讲述了朴素的母爱，讲述了女儿对母亲的深切思念，以贾玲的母亲李焕英为原型，进行了适当的艺术加工。小事中见真情，让人笑中带泪。
总之，一句话“树欲静而风不止，子欲养而亲不待”概括我的总体感受，行孝趁早，莫留遗憾。
谢谢大家！
电影的演讲稿篇2
this movie is delightful from start to finish. although some of the coincidences and chance meetings are highly improbable (both going to nyc? both watching the same tv set at the same time?), they cannot spoil what is a genuinely touching and moving experience.
instead of a the usual scenario where two people try desperately to find love, the two leads, li chiao (maggie cheung) and li xiao jun (leon lai), try desperately to avoid it. both mainlanders, she has come to hong kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the mainland. through a brief meeting in a mcdonalds where li chiao works one of her several part-time jobs, and xiao jun has come to experience the unknown-in-his-hometown food, they become friends. they discover a shared love for the songs of taiwanese singer teresa tang, which become the soundtrack to their relationship. both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. their struggle to remain true to their original goal in coming to hong kong leads to an emotional crisis for both them and their partners. the struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. the resolution of this struggle is sweet indeed.
the lead actors are both exceptional, particularly leon lai, who always seemed to be playing a variation on himself until this film. he is completely believable as the na-iv-e and trusting xiao jun, and maggie cheung is, as ever, radiant and affecting. the songs of teresa tang are used to great effect, one of which gives the film it's title (tian mi mi, the title of the chinese version, roughly translates as sweet like honey).
loses a point for the number of coincidences, but otherwise unreservedly recommended.
i have just finished watching it. the emotions came out from deep down in my heart, and i couldn't control myself to stop crying. this is the film of love, reality and dream. it has nothing to do politically with hongkong before or after 1997. it shows the story of two young people who think they are young enough to not choose and avoid love as the dream of life, instead, they pretend to make their 'materialised dreams' come true. however, after their dreams do come true, they are not satisfied. when they turn over their faces, and realise that having each other is the dream. this is a soft and gentle film that in some way affect your heart deep down inside. the struggle the characters experienced are somehow showing the contradictions that all the immigrants would encounter. those two 'immigrants' from mainland of china into hongkong have the reluctance of choosing between 'dream' or 'love', just like all the foreigners live in a country would have confused with and took the wrong decision. it is difficult to settle into one culture, when meet the people from your hometown, you feel like as if they are closer to you than your family.
from the fantastic performance from both two actors, the whole structure of the film is satisfying, and the pace of unwrapping the storyline is as exciting and surprising as the christmas presents. the love in the film is somehow very 'pure' and 'si-mp-le' from the determination and patience that took them years to find each other.
finally, there is only one thing to say: among the sea of people, 'yuan'--the invisible and chosen force that connect you with the others in a particular way is unchangeable and if you believe it, you will never be able to miss 'the one' for you, no matter what happens, and where you will b.
just ask yourself-- billions of people in the world, why do i meet you not someone else?
有关电影的英语演讲稿 [篇2]
?挑战星期天》:
i don't know what to say really.three minutes,to the biggest battle of our professional live.all comes down to today.either we heal as a team
or we are going to crumble. inch by inch play by play ,till we're finished.
we are in hell right now, gentlemen ,believe me. and we can stay here
and get the sh-it kicked out of us or we can fight our way back into the light.we can climb out of hell.one inch, at a time.now i can't do it for you.i'm too old.i look around and i see these young faces and i think
i mean,i made every wrong choice a middle age man could make.
i uh....i pissed away all my money.believe it or not.i chased off anyone who has ever loved me.and lately,i can't even stand the face i see in the mirror.you know when you get old in life,things get taken from you.
that's, that's part of life.but,you only learn that when you start losing stuff.you find out that life is just a game of inches.so is football.
because in either game,life or football,the margin for error is so small.
i mean,one half step too late or to early,you don't quite make it.one half second too slow or too fast.and you don't quite catch it.the inches we need are everywhere around us.they are in ever break of the game.every minute, every second..on this team, we fight for that inch.on this team, we tear ourselves, and everyone around usto pieces for that inch.we claw with our finger nails for that inch.cause we know,when we add up all those inches that's going to make the ****ing difference between winning and losing between living and dying.
i'll tell you this in any fight it is the guy who is willing to die
who is going to win that inch. and i know if i am going to have any life anymore. it is because, i am still willing to fight, and die for that inch.because that is what living is. the six inches in front of your face.
now i can't make you do it. you gotta look at the guy next to you. look into his eyes. now i think you are going to see a guy who will go that inch with you.you are going to see a guy who will sacrifice himself for this team because he knows when it comes down to it,you are gonna do the same thing for him.
that's a team, gentlemen and either we heal now, as a team, or we will die as individuals. that's football guys. that's all it is. now, what you gonna do?
?闻香识女人》:
mr. simms doesn't want it . he doesn't need to be labeled still worthy of being a baird man . what the hell is that? what is your motto here? boys, inform on your classmates, save your hide .anything short of that, we're gonna burn you at the stake.
well, gentlemen, when the sh-it hits the fan, some guys run and some guys stay .
here's charlie facing the fire, and there's george hiding in big daddy's pocket.
and what are you doing? you're gonna reward george and destroy charlie .
no, i'm just getting warmed up. i don't know who went to this place. william howard taft, william jennings bryant, william tell, whoever. their spirit is dead, if they ever had one .it's gone. you're building a rat ship here, a vessel for seagoing snitches. and if you think you're preparing these minnows for manhood, you better think again, because i say you are killing the very spirit this institution proclaims it instills . what a shame ! what kind of a show are you guys putting on here today?
i mean, the only class in this act is sitting next to me. i'm here to tell you this boy's soul is intact. it's non- negotiable. you know how i know? someone here, and i'm not gonna say who, offered to buy it only charlie here wasn't selling
out of order . i show you out of order . you don't know what out of order is, mr. trask .i'd show you, but i'm too old , i'm too tired, too ****ing blind. if i were the man i was five years ago, i'd take a flamethrower to this place! out of order? who the hell you think you're talking to? i've been around, you know? there was a time i could see and i have seen boys like these, younger than these , their arms torn out, their legs ripped off. but there is nothing like the sight of an amputated spirit . there is no prosthetic for that. you think you're merely sending this splendid foot soldier back home to oregon with his tail between his legs ,
but i say you are executing his soul! and why? because he's not a baird man. baird men. you hurt this boy, you're gonna be baird bums, the lot of you . and, harry, jimmy, trent, wherever you are out there . **** you too!
i'm not finished. as i came in here, i heard those words: "cradle of leadership.
well, when the bough breaks . the cradle will fall, and it has fallen here. it has fallen . makers of men, creators of leaders . be careful what kind of leaders you're producing here. i don't know if charlie's silence here today is right or wrong, i'm not a judge or jury . but i can tell you this: he won't sell anybody out to buy his future! and that, my friends, is called integrity. that's called courage. now that's the stuff leaders should be made of. now i have come to the crossroads in my life.
i always knew what the right path was. without exception, i knew, but i never took it. you know why? it was too damn hard. now here's charlie. he's come to the crossroads. he has chosen a path. it's the right path. it's a path made of principle that leads to character . let him continue on his journey. you hold this boy's future in your hands, committee . it's a valuable future, believe me. don't destroy it. protect it. embrace it. it's gonna make you proud one day, i promise you.
?魔鬼代言人》:
who are you carrying all those bricks for? god?is that it? god? l tell you...let me give you a little inside information about god. god likes to watch. he's a prankster. think about it. he gives man...instincts. he gives you this extraordinary gift,and then what does he do? l swear, for his own amusement...his own private cosmic......gag reel......he sets the rules in opposition. it's the goof of all time. look, but don't touch.
touch, but don't taste. taste, but don't swallow. and while you're jumping from one foot to the next, what is he doing?he's laughing his sick ****ing ass off! he's a tightass! he's a sadist! he's an absentee landlord!
worship that? never!
better to reign in hell than serve in heaven, is that it? why not?？l'm here on the ground with my nose in it since the whole thing began! l've nurtured every sensation man has been inspired to have! i cared about what he wanted and l never judged him! why? because l never rejected him,in spite of all his imperfections! l'm a fan of man! l'm a humanist.may be the last humanist.who,in their right mind,kevin,could possibly deny...the 20th century was entirely mine,all of it,kevin,all of it.mine.i’m peaking ,kevin,it’s my time now.it’s our time.
?市政厅》:
i was warned not to come here. i was warned. they warned me, "don't stand behind that coffin." but why should i heed such a warning when a heartbeat is silent and a child lies dead? "don't stand behind" this coffin. that boy was as pure and as innocent as the driven snow. but i must stand here, because i have not given you what you should have. until we can walk abroad and recreate ourselves, until we can stroll along the streets like boulevards, congregate in parks free from fear, our families mingling, our children laughing, our hearts joined until that day we have no city. you can label me a failure until that day.
the first and perhaps only great mayor was greek. he was pericles of athens, and he lived some 2500 years ago, and he said, "all things good of this earth flow into the city because of the city's greatness." well, we were great once. can we not be great again? now, i put that question to james bone, and there's only silence. yet, could not something pass from this sweet youth to me? could he not empower me to find in myself the strength to have the knowledge to summon up the courage to accomplish this seemingly insurmountable task of ma-ki-ng a city livable? just livable.
there was a palace that was a city. it was a palace! it was a palace and it can be a palace again! a palace in which there is no king or queen or dukes or earls or princes, but subjects all -- subjects beholden to each other, to make a better place to live. is that too much to ask? are we asking too much for this? is it beyond our reach?! because if it is, then we are nothing but sheep being herded to the final slaughterhouse! i will not go down that way!! i choose to fight back!!! i choose to rise, not fall! i choose to live, not die!! and i know, i know that what's within me is also within you!
that's why i ask you now to join me. join me, rise up with me; rise up on the wings of this slain angel. we'll rebuild on the soul of this little warrior. we will pick up his standard and raise it high! carry it forward until this city -- your city -- our city -- his city -- is a palace of god! is a palace of god!
i am with you, little james.
i am you.
?情枭的黎明》:
now i ain't sayin' that my way would have been different.had my mother been alive when i was a kid, 'cause that's all you hear in the joint.i didn't have a chance no bullsh-it.i was already a mean little bastard while my mother was alive, and i know it.but i learned about women from her.your honor,with all due respect,past and present,and without further to do.let me assure this court thati am through walkin' on the wild side.that's all i've been tryin' to tell you.i have been sick with the social ills known in the ghetto ,but my time in the sterling correctional facilities
of green haven and sing sing has not been in vain i've been cured!born again, like the watergaters.i know you heard this rap before .your honor, i mean it.this is the truth i changed.i changed and it didn't take no 30 years like your honor thought, but only five.that's right, sir. five years.and look at me. completely rehabilitatedreinvigorated, reassimilated,and finally gonna be relocatedand i want to thanka lot of people for that.i look over there and i seethat man there, mr norwalk.i want to thank you, sir,for ma-ki-ng the tapes in an illegal fashion.
i would like to thank the court of appealsfor reversing you, your honor.and i want to thank almighty god, without whom no case gets tossed.i must have forgot. how could i forget!my dear, close friend and lawyer,david kleinfeld,who never never never gave up on me through everything, thick and thin.why don't you just stand up?davey kleinf？
有关电影的英语演讲稿 [篇3]
hello everybody,
today ,my presentation is about film review.
the graduate is an attractive and affecting film.it has a very important place in the america film history,because it reflected the people’s life at that time,1960s.it also a ground-breaking film,had taken a new film type in american film market.
mike nichols,is the the director. he is a famous and fruitful director in america,has many movie works ,helped him receive a lot of honors and awards,including the graduate ,which helped him get the oscar awards,the best director .
the graduate is a comedy film,theme is about love,premiered in 1967.after that,the film got many awards,such as:best director,best picture,best actor,best actress,and so on.
the main stars including dustin hoffman,anne bancroft,katharine ross and others.dustin hoffman plays a graduate ,named benjamin,who is worried about his future,his eyes are confused.anne bancroft,plays mrs. robinson ,a middle-aged woman,although has a rich husband,she dose’t like her husband.katharine ross plays elaine,she is mrs. robinson daughter.ben is a graduate,his father held a party for him and give a beautiful red car as graduate gift.but he had no interested it.at the party,mrs. robinson seduced him.at first,he refused.however ,after several days,he had se-x with her in a local hotel.all is going well until mrs. robinson insisted that ben must leave from her daughter elaine.but he didn't follow what she said and finally fell in love with elaine.others found the truth and elaine decide to leave ben.this time,he was not confused again,finally,he and elaine ran away from elaine’s wedding.
i like the film ,because nobody is perfect, and people do improper things at the improper time. the point is whether you are willing to amend it or not. ben should be a good example.when his affair with mrs. robinson,found by others, he was brave enough to face it, courageous enough to purse his true love . from the movie ,we can see ben’s transformation from a confused graduate to a mature man; from the fall to the persistence for true love ; well, this is our graduate, it’s a part of life, it’s the process of growth.
the theme music is very popular. let’s enjoin it.
thank you !
电影的演讲稿篇3
尊敬的各位领导、各位嘉宾、各位朋友：
大家好！金色十月，秋风送爽，稻果飘香。在这硕果累累的收获季节，由北京交远传媒有限公司拍摄的电影《龙潭夺宝》已经正式开机了！这一力作在建昌县顺利拍摄，是建昌县文化建设领域的一大盛事，更是建昌63万人民群众精神文化生活的一大喜事。在此，我谨代表建昌县委、县政府，向莅临今天发布会的各位领导、各位嘉宾和各位朋友表示热烈的欢迎！向在电影《龙潭夺宝》筹拍过程中付出艰辛劳动的`编剧、导演及剧组全体演职人员表示亲切的慰问！向电影《龙潭夺宝》的顺利开机投拍表示诚挚的祝贺！
各位领导、各位嘉宾、各位朋友，作为全国文明县城和全国著名的武术之乡，作为世界上第一只鸟诞生的地方，建昌县历史悠久、人杰地灵，自然资源丰富，风光自然秀美，文化底蕴深厚。有林木葱郁的白狼山；有东北地区唯一的，人称“北方小西藏”的龙
潭大峡谷；有名列“2011年度全国十大考古新发现”的东大杖子战国古墓群等历史文化旅游资源。电影《龙潭夺宝》的拍摄，就是要挖掘建昌历史文化资源，打造建昌对外宣传名片，彰显建昌独特魅力，填补建昌文化发展史空白；电影《龙潭夺宝》的拍摄，也是建昌县委、县政府实施“生态立县、农业富县、工业强县、旅游兴县”四大发展战略的又一重大举措，是建昌旅游资源和历史文化在电影艺术门类中的首次全景式整体亮相，是宣传推介建昌非常难得的机遇和良好的平台。这必将推动我县旅游文化产业的大发展，必将有力带动我县旅游经济不断向前迈进，必将大大提高建昌的知名度和美誉度。
北京交远传媒有限公司是一支艺术高超，技艺精湛，作风过硬的优秀团队，拍摄的影片《插班生》和《双飞燕》曾先后获得中国电影史上最具影响力奖项，我们有理由相信《龙潭夺宝》剧组一定会取得新的辉煌。在此，衷心祝愿《龙潭夺宝》剧组的全体艺术工作者在建昌度过轻松、愉快、美好的每一天。同时，也希望全县各级各部门要给予高度重视，紧密协调，积极配合，确保该影片在建昌的拍摄工作顺利进行。我相信，有各级领导的高度重视，有相关单位的积极配合，有北京交远传媒有限公司及剧组全体演职
人员的精心努力，必将为全国观众奉献一部精彩纷呈的精品力作！
最后，祝电影《龙潭夺宝》拍摄工作圆满成功！祝各位领导、各位嘉宾、各位朋友身体健康，工作顺利，家庭幸福！
谢谢大家！
电影的演讲稿篇4
各位来宾，朋友们：
今天我们在这里召开公益电影《血缘关系》新闻发布会，除了向社会公众推荐一部弘扬人道、博爱、奉献精神的电影，更想借助这部电影的播出，唤起全社会对白血病患者群体的关注，展现造血干细胞捐献者、志愿者和工作者们的大爱情怀，同时呼吁更多人成为造血干细胞捐献志愿者，以捐献“生命火种”的方式帮助他人重获新生。
电影围绕一群爱心人士合力救助这个患病小姑娘的故事展开，情节迭宕起伏，情节感人至深。我认为有两个突出特点。
一是这是一部属于老百姓的公益电影。影片讲述的是老百姓身边的感人故事。人物不神化，年代不久远，所有感动都在我们身边的人群中。影片中的演员，没有明星大腕，影片中的场景，没有巨额投资制作，它打动人的正是从百姓心灵中生发出来的，我认为片子拍得非常成功。
二是还是一部属于志愿者的公益电影。影片的.制作方――中国文化艺术有限公司把拍摄这部影片作为一种社会责任承担起来，我希望这部电影能成为一个很好的公益案例向全国推广。刚才广电总局、八一电影制片厂和其他宣传部门的同时都表达了这样的意思。像这样来自于老百姓，又回到老百姓当中的文艺作品，是真正属于老百姓的。
我今天发言的第二个方面，是针对当前整个社会对中国红十字会的核心业务工作提出来的一些看法进行回答。
自网络事件之后，社会公众对中国红十字会有两个疑问：
一是为什么红十字会工作包罗万象?从战争、冲突、灾害的救援、救护、救助到献血、干细胞捐献和器官捐献?我想借今天这个机会对红十字会宣传一下。红十字会在世界有150年的历史，中国红十字会有108年历史。红十字会主要职责是在战争、冲突和灾害状态下的人道救援和救助工作，包括慈善和平时状态下的生命救助工作。中国社会有数以千万计的器官衰竭病人需要救助，有数以百万计的白血病患者需要救助，未来老龄社会，更多老人需要生活照顾和生命救助，中国红十字会一定是站在第一线的机构。
电影的演讲稿篇5
第一次看，《阿甘正传》里面有一句话甚是喜欢，是这样说的'‘生活就像一盒巧克力，你永远不知道下一颗会是怎样。我们活着也如阿甘，有喜有忧，有欢笑也有悲哀，这一秒才上眉梢，下一秒就又要才下心头。然而一生都在奔跑中的阿甘是生活的赢家，他赢得美人，也赢得了自我。
谁不曾真的体会，谁不曾真的了解?每一次付出都未必有回报，每一天都未必晴空万里。少年轻狂的李白曾经‘仰天大笑出门去，我辈岂是逄篙人?然而当他被赐金放还后，他又说‘且放白鹿青崖间，须行即骑防名山‘另一位毫迈的诗人——苏轼，他有失去亲人“……不思量自难忘”的痛心，也有“人有悲欢离合，月有阴晴圆缺”的感慨，他多次被贬低，每到一处却并未因此惆怅失措，他有黄州的“东坡”自娱，有杭州的“苏堤春晓”“三潭映月”可赏，哪怕在黄凉的琼州他也不忘烧一壶清水，给自己泡一杯茶。
不是所有的种子都会发芽，不是一切的树木都甘愿被风雨折断，漫长的黑夜，有人会因害怕而哭泣，但也有人守望星辰，满怀欢喜地期待黎明，只期待哪怕仅有三天光明的海伦。凯勒，却拥有比阳光更明媚的光明，她用生命谱写的赞歌激励了喜许多人，她有的不只是学业的成功，更是人格的高尚。三天对我们来说是平常的，在她那里却有许许多多美好而平凡的事发生。
一个年少的孩子看到窗外吵吵闹闹的世界，顿觉生活索然无味，然而当他被母亲带到另一扇窗前看到四周怡人的景色后有觉的生活其实也可以很美，生活之所以不能称心如意，往往是我们开错了窗。
浪花因为冲击而壮丽，火把因为燃烧而光彩。从另一扇窗看问题不完美是完美的另一种形式的馈赠，梅因与寒风作伴才有了高洁的赞誉。
末了，不由得想起苏轼那一句“一蓑烟雨任平生”。是的，埋在土里的种子自会有破土而出的勇气美，绽开在地上的花何尝没有迎风招展的美呢?
晴天妩媚，雨天清新，刮风天豪爽，下雪天壮观。世界上没有坏天气，只有不同类型的好天气。
晴时爱晴，雨时爱雨，风也萧萧，雨也飘飘，人生时时有美好。
电影的演讲稿篇6
there are so many movies i've loved that the entire list would be nearly book-length. it's tough to pick just a few, but i'll give it a try.
before i start any kind of numbered list, i have to include one film that ... well, it'd be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. it isn't fair to list it with others. while i'll still refer to #1 on the list below as my favorite as follow.
movie:d'amélie poulain, directed by :jean-pierre jeunet.
jean-pierre jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life;love.every single character,including amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for companionship and appreciation.amelie is like the angel who repairs the missing links in their lives and finds a root of her own.the "all's well that ends well" motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.
for 20 years jean-pierre jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in french film history. jean-pierre jeunet fell in love with the story and the film he titled le fabuleux destin d'amélie poulain. but it's popularity was even a surprise to jean-pierre jeunet himself as he once stated: i guess i have to produce a film like alien resurrection (usa 1997) to make a movie like le fabuleux destin d'amélie poulain', obviously not aware of the films potential. unfortunately the film didn't win an academy award for the best foreign film in 2001 which still puzzles film fans all over the world.
i consider jean-pierre jeunet's film as a masterpiece. in my opinion, it is an outstanding film in film history for its cinematography, the music, the story, but above all the overall atmosphere. going to the cinema is like meditating. we sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. we seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. thanks to jean-pierre jeunet i had a wonderful dream, i will never forget.
jean-pierre jeunet and his camera man, bruno delbonnel, wanted to make the film look like the spanish painter did his artwork. to establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. audrey tautou (amélie poulain), mostly wears either red or green dresses, as well as the housekeeper (yolande moreau as madelaine wallace, concierge), and amélie's mother (lorella cravotta as amandine poulin) in the beginning of the film. when amélie poulain sits down to watch the tragedy of her life on her tv, there is an outstanding of a blue lamp in the background. sometimes the use of color gets very obvious. amélie's apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. honestly, i haven't noticed the extreme use of color the first time i watched the movie. i just wondered how jeunet succeeded in establishing such a fabulous atmosphere.
the atmosphere is also supported by the magnificent music by yann tiersen who has composed 19 songs in 15 days for this movie. the principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. the music supports every moment in the film and becomes the sound of a fabulous world.
camera movement certainly contributes its part to the atmosphere. balanced and unbalanced pictures contribute to the message of each shot. right in the beginning when amélie's mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. the same can be about the first shots of amélie's father. when talking about his dislikes, the shots are unbalanced. but more impressing are some camera movements. for example there is an astonishing high angle shot of amélie flipping stones on le canal in paris. the camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. another one worth mentioning might be the chase of the repairs person. nino is shown falling up the steps chasing the repairs person for the photo machines. the camera turns to show the man getting in the car driving off. still in a low angle nino starts his moped, trying to follow the worker, almost hitting a car. amélie is entering the picture running after nino. the camera follows her, then turning almost 180° around her to show her hold nino's red bag that he lost. when amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. they support the dreamlike atmosphere, adding interesting aspects to ordinary actions.
电影的演讲稿篇7
各位领导、各位来宾：
万象更新添新绿，新年伊始谋发展。我们又相聚一堂，总结过去，计划未来。刚才我认真聆听了各位领导对我市过去一年数字电影放映工作成绩的肯定和赞誉，使我备受鼓舞。同时，各位领导对新的一年如何做好数字电影放映工作提出了强有力的、具有指导性意义规划要求，对我们广大数字电影放映员寄予了厚望，使我信心倍增。
回忆一年来我在放映一线的工作情况，可以用“顺心、民心、安心和放心”总结全年。
顺心。就是党的新农村数字电影放映工程政策顺应民心。广大农村电影观众把新农村数字电影放映比作党的温暖照耀农村大地，说成是党和政府领导人对农民的亲切关怀！我们在放映一线不仅仅是每月每村放映一场数字电影，它是党和政府与人民群众密切联系的纽带桥梁，通过这一活动使广大人民群众学习了知识，享受到了快乐，陶冶了情操，体会到了党和政府的关怀！
民心。就是我们的新农村数字电影放映工作得到了越来越多的广大农村电影观众的了解、支持和爱戴。每当我们进村放映，就会得到广大期盼数字电影的热心观众和村干部们的周到帮助，都会有热情的群众提前在村口迎接，电工帮你接好电源，小伙、姑娘帮你搬动音箱，竖起了银幕架，老人们为你送来了热腾腾的茶水，使我感受到了为农民服务的那一份荣耀！
安心。过去的一年，物价飞涨！劳动力成本和放映车辆油耗成本增加，我没有因此而淡薄我钟爱的数字电影放映工作，因为我时刻牢记着新农村数字电影放映工作代表的是党和政府的形象，责任之重大！我用心实践了数字电影放映这一党和政府的形象工程，安安心心，踏踏实实的放好了每一场电影，得到了广大人民群众的支持和赞誉。另外，过去的一年最大的`收获莫过于在院线公司领导的艰苦努力下，放映报酬实现翻番给我们带来的年终惊喜！在这里，我衷心的感谢市县主管部门、院线公司、服务站各位领导对我们一线放映员的关怀和支持！
放心。一年来，我的数字电影放映工作始终以服务站的各项规章制度为指导，坚持实事求是的放映原则，做到让服务站领导放心，让人民群众满意。去年，我克服重重困难，踊跃承担两个乡镇二十五个行政村的放映任务，全年放映任务完成顺利圆满。我在繁忙的放映工作中找到了自我，体会到了快乐！
今年，是我市数字电影播放服务器集中更新和放映工作管理模式发生转变的头一年，在新的一年里，我们将保持谦虚谨慎、戒骄戒躁，忠于职守，技术精湛，优质服务的工作状态，以饱满的政治热情，把党和政府送给农民的文化关怀不折不扣的送给农民；严格执行各项规章制度、服从公司、服务站放映调配，按照数字电影放映设备操作规程办事，杜绝数字电影放映设备以外音像资料的播出，保护电影音像知识产权不容侵犯；努力开拓二级电影放映市场，刻苦钻研收费电影放映营销艺术，以正常的心态和渠道向各位领导，有关部门反映基层放映工作中可能存在的新问题，不断提高数字电影放映质量，扩大数字电影放映的影响力；努力完成全年公益电影放映场次任务，补建更新数字电影放映公示栏，做好放映内容、日期、地点的提前公示预告，让更多的观众受益于电影娱乐教育；不断总结与观众观影互动交流，做好映前放后的宣传和情况收集工作，把农民观众最需要的影片节目奉映给农民。总之，我们有信心，有热情，有能力做好新一年数字电影放映工作，敬请各位领导，全市的广大农村电影观众放心，xx年，我们会以诚信，优质服务的劳动作风，为你们交上一份满意的放映工作答卷的！谢谢各位。
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★ 看电影作文5篇
